Important note: Sony RAW files aren’t automatically corrected when you import them into an imaging software such as Adobe Lightroom. The clip-on lens capsĪt the time of writing, both lenses are only available in a black finish. In fact, I ended up losing it while out shooting one day and had to buy a replacement. The two lenses without their cap-type lens hoods attached (filter thread = 49mm) The two lenses with their cap-type lens hoods attached (filter thread = 40.5mm)Īn unfortunate characteristic of the Samyang lens cap is that it has the tendency to pop off quite easily. They share the same filter thread size (49mm), as do their respective cap-type lens hoods (40.5mm) which means that their clip-on lens caps are interchangeable. This is especially true of the Sony lens which provides too much resistance. Because there isn’t much space between the ring and the mount, it can be somewhat tricky to get a good grip on either lens during the mounting/un-mounting process. The two lenses come with just one physical feature: a ribbed fly-by-wire focus ring that occupies approximately half the barrel. In the hand, the Samyang gives you the impression of being fairly robust but the Sony definitely has a more premium feel. The biggest difference between the two in terms of build quality is that the Samyang is made of plastic and aluminium alloy while the Sony is all-metal from top to bottom and comes with dust and moisture resistance. When you see the two primes placed next to each other, it is clear that Samyang’s aim was to create a lens with dimensions as compact as those of the original Sony – and in this they definitely succeeded. To know more about our ethics, you can visit our full disclosure page. If you buy something after clicking the link, we will receive a small commission. Within the article, there are affiliate links. We were not asked to write anything about these products, nor were we provided with any sort of compensation. It was the only 35mm f/2.8 autofocus prime for the system until Samyang Rokinon released its own take on the lens in 2017: the AF 35mm f/2.8 FE.īecause the Sony version is approximately $500 more expensive than its more recent counterpart, we were curious to investigate how they compare in terms of overall performance and answer the all-important question: which should Sony FE users choose for their full-frame camera? After throughly testing both lenses side-by-side, we have all the answers here!Įthics statement: We bought the Carl Zeiss Sonnar T* FE 35mm f/2.8 ZA for our own personal use whereas the Samyang Rokinon AF 35mm f/2.8 FE was loaned to us for a month. When used on full-frame bodies, it offers a moderate wide-angle whereas on APS-C bodies such as the a6300 or a6500, it becomes a standard lens with a 52.5mm equivalent field of view. The Sony FE 35mm f/2.8 was the very first native lens for Sony’s full-frame E-mount system along with the FE 55m f/1.8.
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